Hunting Idaho's delisted wolves

Hunting Idaho’s delisted wolves - its legal, but not everyone is happy about it

Gray wolves: Is there a more controversial species in North America?

Wolves have always seemed to generate an emotional response in people. From the classic Russian children’s book (1936) and musical piece by Sergei Prokofiev, Peter and the Wolf, to the Three Little Pigs fairy tale (1840’s), wolves have been a feared part of the natural world. These stories paint a portrait of wolves as clever, cunning, scary, and even evil. In both stories they are clearly a species to be feared. Our modern culture’s attitude towards wolves, reflected in these oft repeated stories, has led to the dramatic decline of wolves in North America, particularly in the Lower 48 States. Through hunting, trapping, and poisoning wolves were all but exterminated from everywhere in Lower 48 States outside a few isolated pockets near the northern borders of Minnesota and Montana. In 1974, gray wolves were listed as Endangered under the Endangered Species Act.

With wolves absent from the Rocky Mountain ecosystem for many years, wildlife managers began to point out that wolves actually played a positive (and irreplaceable) role in these natural systems. There was an overpopulation of deer and elk, and many of the animals were unhealthy, malnourished, or sick. There were no natural predators culling the herds. And hunters, who had effectively replaced the wolves at the top of the food chain, usually killed the strongest animals sporting the biggest trophy racks, rather than the weak and sick.

In 1987, the US Fish and Wildlife Service implemented a recovery plan for wolves in the Northern Rocky Mountains, starting by reintroducing the wolves in Yellowstone National Park in Wyoming in 1995. The plan also included the reintroduction of wolves in other Rocky Mountain States like Idaho and Montana. The program has been hotly contested by ranchers, who understandably fear that wolves will kill livestock. Environmental groups on the other hand, have praised the program as a much needed step towards a better balanced natural system in what they consider to be one of country’s strongholds for biological health, the Northern Rocky Mountains.

The reintroduction program has been largely successful from a biological standpoint, and there are now about 1,500 wolves in Idaho, Montana and Wyoming, according to Idaho Fish and Game. The wolves have been closely watched, with 84 different wolves in 50 different packs outfitted with radio collars.

On May 4th, 2009 wolves were removed from the Endangered Species List and individual states took over management of the wolves. In Idaho, wolves are being managed under the Idaho Wolf Population Management Act as big game, similar to black bears and mountain lions. Hunting of wolves is being allowed in Idaho this fall with many hunting zones opening September 15, and the rest on October 1st. All zones will be open until December 1st or until the zone’s quota is met. The state quota for the season is 220 wolves. The new law also allow any owners of livestock to "dispose" of wolves that are molesting or attacking livestock without a permit.

While it may sound as though recovery is complete and all is in order, there is a heated debate about whether the wolves are being managed responsibly. 29 wolves have been killed in Idaho this year, according to this story in the Idaho Mountain Express out of Ketchum (Sun Valley). For those people who have spent time in Ketchum or Stanley, the wolf was killed in the Eagle Creek Drainage north of Ketchum. Ketchum may be the most “wolf-friendly” town in Idaho. The Phantom Hill pack is well known in town because the animals don’t seem afraid of people and were often spotted near town last winter.

The wildlife advocacy group Defenders of Wildlife, along with 12 other conservation groups filed a lawsuit asking the courts to reverse the removal of the Northern Rockies gray wolves from the Endangered Species list. Here's their take on the situation according to Suzanne Stone, the Northern Rockies representative for the Defenders of Wildlife:

"After working more than 20 years to restore wolves here, it’s a thrill to see the wolf population finally on the threshold of recovery with more than 1600 wolves in the region. However, we cannot ignore that this delisting plan fails to protect their future and would allow states like Idaho, which has demanded that all wolves be removed ‘by any means necessary,’ to decimate the population to less than a few hundred wolves. We need a delisting plan that allows the wolf population to thrive while addressing the needs and concerns of our regional residents."

The debate continues to heat up, especially now that wolves are being actively hunted. While our society may no longer be asking "who's afriad of the big bad wolf?" There certainly is plenty of discussion about whether or not we want him around. What do you think? Tell us in the comments thread.

For more info: About the Phantom Hill wolf that was killed. Idaho wolf management. Wolf Hunting Season and Rules. Wolf watching in Yellowstone.

Fall Outdoor Photography Tips

Fall Outdoor Photography Tips

Fall is perhaps the best season for outdoor photography. The leaves are changing colors, the temperatures are ideal, and snow has started to adorn the mountains, creating dramatic backgrounds and colorful palettes for landscape photographs.

But trying to capture the colors of autumn with your camera can be frustrating. All too often you return home, pull up your shots on the computer, and feel disappointed. Somehow, those colors seemed more vibrant when you were shooting them than they look on your monitor. What happened?

If you've had an experience like this, here are some ideas to help make your fall photographs look more like what you see in your mind’s eye.

Look for close-ups. Often when we see a beautiful scene, we want to capture the whole landscape. We point our camera towards a distant vista and shoot away. And that's exactly how the photo feels, distant and boring. During fall, try a different tactic. Fall colors tend to be clumped together in specific tree species. Usually, it’s these small patches of trees that draw our attention, but relative to the entire landscape, they only make up a fraction of the scene. Try focusing on the highlights of color. Pick out the brightest leaves and focus your attention (and lens) where that color dominates. Don’t worry about the big picture, really concentrate on the color and detail. Think small and keep the composition simple.

Fill the frame with color. If you have a macro lens for your SLR, or a macro setting on a point and shoot, use it. Crop out all other distracting elements except the beautiful color. Look for patterns, abstract shapes, and variations in color that you’ll only notice in the details. Try using a shallow depth-of-field by using an f-stop with a low number (2.8, 3.5, of 4) and really focusing on the subject of your image. Let everything that’s not important become blurred.

Find leaves with light shining through them. Look for the rich warm colors created by backlit leaves. When the sunlight shines through leaves the colors seem to glow. Try shooting out from underneath or behind trees. Use the colorful trees to frame the entire landscape.

Use fall color as a background element. Find a different subject, and let the fall colors add to a soft background. Maybe it’s your friends, your dog or a mountain reflecting in a lake, but let the fall colors add a subtle element to you image rather than take center stage. Take the pressure off the colors and let it feel natural.

Use motion and blur to paint with color. By panning your camera on a moving subject with slow shutter speeds, you can stretch a colorful background into something more. Find a place with colorful trees and photograph a moving subject in the foreground. Mountain bikers, trail runners, playing kids, flying birds, there are endless possibilities. Try using a little fill flash (in rear-sync) to make your foreground image sharp. And take lots of shots – that’s the beauty of digital!

Try shooting when it’s cloudy. Cloudy days act as natural light diffusers. The clouds are effectively a huge soft box for the sun. They reduce contrast and eliminate pesky shadows. It’s like having a photography studio outside. Fall colors seem more vibrant on overcast days, so take advantage of the gloom! Remember to change the white-balance setting on your camera to “cloudy”, it’ll give those images a warmer, more appealing feel.

Finally, get out! Just because there’s a little snow in the mountains doesn’t mean you should stay indoors. Get out and shoot, that’s the only way to take great pictures!

Powderwhore's Flakes world premiere in Salt Lake City

Powderwhore, the backcountry, telemark ski focused film makers from Salt Lake City, are showing their latest effort, Flakes at Brewvies this week for three consecutive nights. The film will be shown Wednesday, Sept, 30, Thursday, October 1, and Friday October 2 at both 7pm and 9pm each night. (Dates for the rest of the tour) There will be a raffle at each show, with all the proceeds going to the Utah Avalanche Center. Tickets are $10 for the film and are available at the door the day of the show. You must be at least 21 years old to attend.

This is a great opportunity to see a new film, get stoked for the upcoming season, and support the Avalanche Center all at the same time!



Powderwhore has been making telemark specific movies the past four seasons. With each new showing their films get progressively better. The core group of skiers (Nick Devore, Wil Cardamone, Andy Jacobsen, Andy Rosenburg, Noah Howell, and Jonah Howell) are all back in this year's film, as well as lots of other "pro telemark skiers." If there is such a thing.

If you're from Salt Lake and you ski in the backcountry, you've probably heard of Powderwhore or run into them on one of your tours. And that's part of what makes their movies so much fun to watch. There's lots of local footage from the Wasatch Mountains, so it's easy to get excited about what they're skiing, and how effortless they're making it look. This years film also promises exotic freeheel skiing in places like, Hanies and Valdez, Alaska, as well as El Chalten, Argentina, (better known as Patagonia) to wet your appetite for travel. Here's a mouth-watering description of a day spent in El Chalten by athlete, DeDe O'Mara:

"Have you ever spent a week in a tiny two-room apartment with no furniture, no shower, no room to walk with all the gear and thermarests, a leaky gas stove and 5 smelly powderwhore boys? I have. And I’d do it again, too, if I could have another day like the one we had in El Chalten. In a place famous for months of continuous, insufferably bad weather and snow that’s either wind hammered, sun affected or otherwise lacking– and I’m sorry, I know, it’s gonna sound like hype, but– we had magic. On our very first day out, we skied under cloudless blue skies, in 3 feet of perfect new pow, under the gaze of one of the world’s most awe inspiring peaks, Fitz Roy. We were pinching ourselves, gaping around, deep in rapture. All anyone seemed able to utter was, “all-time.”

Sounds like fun, doesn't it? Can't wait to see what it looks like in the film! See you at Brewvies and have a great winter!

For more info: go to www.powderwhore.com www.utahavalnchecenter.org www.brewvies.com

The National Parks: America's Best Idea on PBS

Normally it's hard for me to get real excited about documentaries, but here's one I can't wait to see. It's simply titled: The National Park - America's Best Idea, and it kicks off tomorrow, Sunday, September 27th at 8pm. Here's a link to the PBS website promoting the series.

Buckskin Gulch Story Published in the Utah Adventure Journal

Check out my latest feature story about Buckskin Gulch in the fall issue of the quarterly magazine, Utah Adventure Journal. The magazine is new this year, it's free, and can be found at many of the outdoor shops in Salt Lake City like REI, IME, Black Diamond, Christy Sports, Canyon Bicycles, etc. They go fast, so pick one up soon! If you're a Salt Lake local, it's definitely worth checking out. You can also read the story and see the photos on-line at their new website www.outdoorutah.com/adventurejournal.

Lone Peak Cirque

I was lucky enough to spend the past two days backpacking and rock climbing up high in the Wasatch Mountains at Lone Peak Cirque. The place is spectacular! And getting there will kick your butt. There's no way around it, you pay the price reach Lone Peak, but once you're there, it's worth it.
My friend Kelley Paasch (above on the approach hiking through the first Hammongog) and I climbed a two different routes on the gray alpine granite walls that rise around the cirque. First we climbed the Lowe Route (5.8) on the Question Mark Wall and then the next day tackled the Middle Route (5.9) on Tom's Thumb, a 500 foot tower that climbs up the very heart of the Lone Peak's South Summit. The climbing was stellar and the views from on top of the walls were almost equally impressive. Can't say I've climbed better routes...anywhere.


The camping was awesome as well. This is one camp spot that earns a perfect 10 for scenery in my eyes. A soft green meadow surrounded by stark, soaring walls rimmed with lingering snowfields. Little yellow wildflowers added a touch of color to the lush meadow floor and pikas squeaked from beneath the car-sized boulders.


This is one of those spots I'd rather not write-up for fear that too many people knowing about it would wreck its solitary, isolated character. But as Kelley and I decided after our second climb, the place is just too damn hard to get reach to ever get really crowded. There are three different trails to reach Lone Peak Cirque and they're all brutal. We took the route up from Alpine, which is a climber's trail if I've ever seen one. Straight up for about 5,000 vertical feet. Lone Peak Cirque's elevation is 10,412 feet and the parking area in the town of Alpine is about 4,951 feet. So be ready to get a workout.


There's lots more info about the cirque in Stuart and Bret Ruckman's Rock Climbing the Wasatch Range. You can also find details about Lone Peak, climbing routes, approach info, etc online at Mountain Project.

Eirik Johnson's Sawdust Mountain Photo Project

Came across this lovely piece of work on NPR's website this morning. It struck a cord - as being both beautiful and sad - so I thought I pass along the link. Here's Eirik Johnson's website with the entire collections of photos.

You can't have grown up in Seattle in the 80's and 90's and not have had some relationship with logging. It was a huge (though already dwindling) part of the Northwest economy, especially out on the Olympic Peninsula. If you spent much time in the woods, or mountains in general, you were aware that timber harvests were going on, because clear-cutting leaves such a visible impression on the landscape. Anyone who's driven I-90 east out of Seattle (and that covers almost everyone who lives there) through the Cascades is familiar with the patchwork-quilt style forest left behind by a hundred years of intensive timber harvest.

Things changed drastically with the listing of the Northern Spotted Owl as a threatened species on the Endangered Species Act in 1990. I remember having the conversation with my dad in the car one day - he didn't understand why a little bird could be more important than thousands of jobs. I on the other hand, just entering the work force as a 15 year old, couldn't grasp why these loggers couldn't simply find some other means to support themselves.

As I grew older and spent more time on the Olympic Peninsula I learned how much more complex the issue was than our conversation. I saw that the those little Spotted Owls were more a symbol of the health of the forest in general than a single species. They were the canary in the coal mine, one of the indicator species that the old-growth forests ecosystem was disappearing at an alarming rate. In fact, by 1990 the old-growth forests in our country had been almost entirely chopped down.

On the way to backpacking trips in Olympic National Park, my friends and I would pass through the small towns supported by the timber industry. It was painfully obvious how impoverished these communities were. Places like Forks, Hoquiam, Queets, and Aberdeen. People on the peninsula were just getting by, even in the best of times. There's a reason why Kurt Cobain's music was so depressing. There's no Microsoft, no Boeing, no gravy train out there on the rainy, overcast western edge of the state. Logging was all they had.

Since 1990 the world has moved on. Domestic logging has all but disappeared. Most lumber comes from oversees. Seattle has exploded and become one of the most desirable cities to live in the country. Many, many more jobs have been created in Washington than were ever lost in the logging industry. But it isn't the loggers who got those jobs. If you visit those small Olympic Peninsula towns, you'll see a familiar story that you'll find all across the American West. The rural communities are disappearing. Young people are moving to the cities, and they aren't coming back.

I think Eirik Johnson's photos do a wonderful job of telling that story. It's worth taking 15 minutes to look through them and think about the transition our country is going through. If you live in Seattle, check out his show at the Henry Art Gallery, it'll be there October 24th, January 31st. Time marches on, and I'm happy we're not cutting down our biggest and best forests, but that doesn't mean it's not a painful experience for lots of folks.